Brooks, CA – Cache Creek Casino

If you aren’t familiar with it, I won’t be surprised. I only know of it because I’ve played here one other time before. Cache Creek Casino has more than three hundred hotel rooms, and a giant gaming floor, and a show room, that sits on approximately 5 acres of land. It is marvelously tucked away in the agricultural midlands of California, for vegetable and fruits and nuts that supplies the largest percentage sold in the world of those sorts of crops. Three hundred yards out of the casino, you can see nothing but vegetables growing and huge fields, with basically no humans in view. Well, you know, humans are actually doing this work, so you conclude they are somewhere in these farm houses that sparsely appear here and there. You can be sure the people that work these lands are largely immigrants, which means they’re not from America. Americans now believe this sort of work is beneath them. We are able to get away with paying unregistered farm workers, slave labor basically, with no benefits, and no protections. That’s wrong. It’s a system that’s being fought by everybody.

I didn’t get to say all of that on stage, but I did remind the audience that people from all over the world, from Indonesia, and Oslo, Norway, who are looking to gamble and have some fun, and don’t want to be in crazy Las Vegas or crazy Atlanta city, and all the other crazy casinos around America, may be sitting next to you tonight. They’re looking to have some fun, but they’re also looking to get away from the hustle and bustle traffic of down town, and the like. The pace is slower here.

From the stage, I hear people yelling requests from the 70’s and the 80’s, and I’m certain these people have come here to sing and have fun, with me, the way they have for forty years, back in San Francisco, San Diego, Los Angeles, Sacramento, Stockton, etc. Al Jarreau without all the traffic. I could see folks in the first five rows, who were rockin’ “Big City” to me and the band, sitting right next to a quiet little asian family, with only their eyes moving side to side. Quiet, shy. Behind them was a slow moving elderly couple, who could have been from Brooks, or Superior, Wisconsin, or even Hamburg, Germany. Grey hair and sparkling blue eyes, perhaps who knew my name from Hamburg 1976. Well, that was the make up of this audience, and I and other entertainers really love and appreciate this cross section of people, who gather in casinos to have a good time. They’ve left the city behind for a couple of days, and shrugged off a few worries, pulled some one arm bandits, had some good food, and had a good night’s sleep away from the daily grind.

The band guys played like they were missionaries from jazz heaven. They didn’t let up because we weren’t in New York, or Paris, or Berlin! They have a love for the craft, and “doing it”. That has always been the best motivation for doing music or any art form. The acquiring of fortunes for mediocre work has also become part of today’s commercial music scene, but I promise you those days are over, and there will be less and less of that in the future. The future will see musicians and singers doing it because they love and can’t live without it, not because there are fortunes to be made, and THAT’S THE RIGHT MOTIVATION!!! So the band was swinging any number of times with Mark Simmons, the drummer, causing me to turn around and making me smile, and looking over at Joe Turano, with his horn strapped around his neck, waiting to play, as he sings backgrounds and does keyboard strings. Peaceful look on his face. He’s my music director who’s from Milwaukee. I won’t repeat here the marvelous contributions of Chris Walker, Larry Williams, and John Calderon, as I normally do – I’ve said it before, and you’ve heard it before. We gathered down at the end of the performance, and take one final bow, and the crowd is standing for encores. We do ’em. What a wonderful night.

The Casino is happy, the guests are happy, the band is happy, and we had a little reception after for some VIP guests in, and a fabulous meeting with my old friend, Eileen Chavez, from Gatsby’s days in Sausalitos, from the early 1970’s. What a wonderful family. Her husband was a hugely successful and athletic coach in San Rafael County, with kids in the family who followed their mom and dad’s lead. Eileen herself was a tennis pro, and taught. The kids played every sport offered in the school curriculum. Amazingly, there was always an additional new family member, who was some economically challenged young man from the community, living in their house. Remarkable. Making a difference. They were friends of mine and Julio’s and we saw them often. I had dinner at their house, and played basketball in their backyard with their dad and the kids. Papa Eddy Joe was a lot like Tom Cheeks, at Lincoln High School, for whom we named a scholarship program at UWM.

Well, that’s a wrap, you guys! Thank you for refreshing old friendships, and especially for new friendships, that come from gigs in the quieter rural areas of the world! KEEP IT COMIN’! I Love it.

-Love,

Al

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Scottsdale, AZ – Arizona Music Festival

The whole experience, from the first phone calls that I made to the radio station and press, to the concert itself, were truly a wonderful delightful, laughing, and smiling experience. You guys in Phoenix are a rarity on the planet, you know?! Your continuing support for and interest in jazz, America’s music as much as and before rock n’ roll, is extraordinary and wonderful and necessary. I’m going all over the place and wishing for just what you gave to me every day.

You filled that two thousand seat church, with your smiles and bright eyes and open hearts and a real interest in my band in me. That kind of interaction between the people on stage and the audience really makes and encourages people on stage to give their all and their best. I felt you. You were there for us. You’ve been there for me since the “We Got By” album. That’s 41 years. Wow, that’s 41 years.

Highlands Church is a wonderful venue, and you’re so close to us, that we can almost reach out and touch you. I love that. The closer, the better. Joe Turano, my music director/horn player/keyboard player, played and sang with inspiration. You heard and clapped and applauded your approval. And when Chris Walker, my bass player, came down and sang a duet with me, I felt and saw the surprise and delight in your eyes, and how we all went to a wonderful new tangent. That’s the $#-%!  John Calderon and I tried a new little venture with “We’re in this Love Together,” sharing a starting vamp, with just the two of us. And when he went to the familiar guitar lick, you guys heard it and clapped, and said, “Oh, yeah!!!” Once again, that’s the $#-%! To venture something new on stage of an improvisational sort, and have it received well out there in the audience, that’s not just marking time and walking in place – that’s sharing the experience, you, and the band, and the situation, and finding it refreshing. In short, that’s the story of jazz and improvised music. It’s looking for something delightful in this particular moment now, with your faces as inspiration, and going for it. That happened with Mark on drums, too. Of course he plays well for everything, but he solo’d for you last night, and played something different because of last night’s different situation. Oops, sorry, Larry! I missed the entrance on “My Old Friend,” but it didn’t disturb you at all. And when you pick up the silver flute, it’s a killer. Every body in the room feels it.

After an intermission, we came back with some old standbys like “After All,” that was requested in writing more than 3 times. And Take Five, which you guys recognized, even with the strange new start we’ve adddeed. And “Boogie Down” and “Roof Garden” were really big hits last night. You stood up and danced! That’s really fantastic and when jazzy people feel the groove like that, they go “party!”

All of this means we should come back next soon, and often. Thank you, KJZZ, thank you donors and sponsors, and thank you Highlands Church for your youth educational programs and love for jazz and the arts. I’ll be back as soon as I can. Call the station, call the promoter, call the festival!

-Love,

Al

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Happy New Year!

Happy winter, and Happy, healthy New Year to all!  Even non-Catholics like me were touched by Pope Francis’s early hopes and wishes for the world as he took office. His dream was for a more caring, paternal, loving world.  As I look around these days, after a few decades of observations, I find myself wholeheartedly joining him in this wish and prayer, and urging. It seems to me our quick pace, high tech gadgetry, and money motivations need a little bit more of the above. So, you and I need to dig a little deeper, and be more sensitive and caring, and compassionate, and giving. We must. As we approach this new year, I wish you love, and all of the above.

-Love,

Al

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NEW ALBUM!

Pledge_FB_post Al has finished recording for his next album, scheduled for August 5 release in USA. The album is already available in Europe and many countries outside of USA, so check your local retailer or website to buy or pre-order. You can also to go to PledgeMusic.com to see fantastic and unique opportunities to get the album, or even live concert experiences never before offered.

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London concerts to celebrate 30 years of “JARREAU” album

album artwork JARREAU 2

Al is thrilled to announce 6 concerts at Ronnie Scott’s Jazz Club in February-  not only because he loves to perform at this fantastic club, but also because these shows will be to celebrate the 30th anniversary of the release of the RIAA Platinum “JARREAU” album.   Al will join an all-star band of UK musicians to perform the album.  These exclusive shows will be a rare opportunity to hear great music in a close and intimate setting… don’t miss out-  check out the TOUR DATES page to get more info

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